than nature can raise them without premeditation, especially to a continuance of them, even out of verse; and consequently you cannot imagine them to have been sudden either in the poet or in the actors. A play, as I have said, to be like nature, is to be set above it; as statues which are placed on high are made greater than the life, that they may descend to the sight in their just proportion.
'Perhaps I have insisted too long on this objection; but the clearing of it will make my stay shorter on the rest You tell us, Crites, that rhyme appears most unnatural in repartees, or short replies: when he who answers, (it being presumed he knew not what the other would say, yet) makes up that part of the verse which was left incomplete, and supplies both the sound and measure of it. This, you say, looks rather like the confederacy of two, than the answer of one.
'This, I confess, is an objection which is in every man's[1] mouth, who loves not rhyme: but suppose, I beseech you, the repartee were made only in blank verse, might not part of the same argument be turned against you? for the measure is as often supplied there, as it is in rhyme; the latter half of the hemistich as commonly made up, or a second line subjoined as a reply to the former; which any one leaf in Johnson's plays will sufficiently clear to you. You will often find in the Greek tragedians, and in Seneca, that when a scene grows up into the warmth of repartees, which is the close fighting of it, the latter part of the trimeter is supplied by him who
- ↑ ones, A.
