Page:An Essay of Dramatic Poesy.djvu/138

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118
DEFENCE OF THE ESSAY.

those who unjustly prefer the French before them. This I intimate, lest any should think me so exceeding vain, as to teach others an art which they understand much better than myself n. But this is more than necessary to clear my modesty in that point; and I am very confident that there is scarce any man who has lost so much time as to read that trifle, but will be my compurgator as to that arrogance whereof I am accused. The truth is, if I had been naturally guilty of so much vanity as to dictate my opinions, yet I do not find that the character of a positive or self-conceited person[1] is of such advantage to any in this age, that I should labour to be publickly admitted of that order.

But I am not now to defend my own cause, when that of all the ancients and moderns is in question: for this gentleman, who accuses me of arrogance, has taken a course not to be taxed with the other extream of modesty. Those propositions which are laid down in my discourse, as helps to the better imitation of nature, are not mine, (as I have said,) nor were ever pretended so to be, but derived from the authority of Aristotle and Horace, and from the rules and examples of Ben Johnson and Corneille. These are the men with whom properly he contends, and against

  1. Sir Robert Howard's own character. He is supposed to have been ridiculed under the character of Sir Positive Atall, in Shadwell's Sullen Lovers, represented and published in the same year in which this piece was written. (Malone.) Sir Positive is, adds Scott, 'a foolish knight that pretends to understand everything in the world, and will suffer no man to understand anything in his company; so foolishly positive that he will never be convinced of an error, though ever so gross.'