two cities, and so of the rest; Reason therefore can sooner be led by Imagination to step from one room into another, than to walk to two distant houses, and yet rather to go thither, than to flye like a witch through the air, and be hurried from one region to another. Fancy and Reason go hand in hand; the first cannot leave the last behind; and though Fancy, when it sees the wide gulph, would venture over as the nimbler, yet it is withheld by Reason, which will refuse to take the leap, when the distance over it appears too large. If Ben Johnson himself will remove the scene from Rome into Tuscany in the same act, and from thence return to Rome, in the scene which immediately follows, Reason will consider there is no proportionable allowance of time to perform the journey, and therefore will chuse to stay at home. So then, the less change of place there is, the less time is taken up in transporting the persons of the drama, with analogy to reason; and in that analogy, or resemblance of fiction to truth, consists the excellency of the play.
For what else concerns the unity of place, I have already given my opinion of it in my Essay;—that there is a latitude to be allowed to it,—as several places in the same town or city, or places adjacent to each other in the same country, which may all be comprehended under the larger denomination of one place; yet with this restriction, that the nearer and fewer those imaginary places are, the greater resemblance they will have to truth; and reason, which cannot make them one, will be more easily led to suppose them so.
