Page:An Essay of Dramatic Poesy.djvu/32

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
12
OF DRAMATIC POESY.

turing a word into another meaning: in fine, if he be not one of those whom the French would call un mauvais buffon; one who is so much a well-willer to the satire, that he intends at least to spare[1] no man; and though he cannot strike a blow to hurt any, yet he ought[2] to be punished for the malice of the action, as our witches are justly hanged, because they think themselves to be such[3]; and suffer deservedly for believing they did mischief, because they meant it.' 'You have described him,' said Crites, 'so exactly, that I am afraid to come after you with my other extremity of poetry. He is one of those who, having had some advantage of education and converse, knows better than the other what a poet should be, but puts it into practice more unluckily than any man; his style and matter are every where alike: he is the most calm, peaceable writer you ever read: he never disquiets your passions with the least concernment, but still leaves you in as even a temper as he found you; he is a very leveller in poetry: he creeps along with ten little words in every line[4], and helps out his numbers with For to, and Unto, and all the pretty expletives he can find, till he drags them to the end of another line; while the sense is left tired half way behind it: he doubly starves all his verses, first for want of thought,

  1. he spares, A.
  2. yet ought, A.
  3. think themselves so, A.
  4. This passage evidently furnished Pope with his well-known couplet in the Essay on Criticism;
    'While expletives their feeble aid do join,
    And ten low words oft creep in one dull line.'
    (Malone.)