Page:An Essay of Dramatic Poesy.djvu/39

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CRITES PRAISES THE ANCIENTS.
19

then in more esteem than now it is, had greater honours decreed to the professors of it, and consequently the rivalship was more high between them; they had judges ordained to decide their merit, and prizes to reward it; and historians have been diligent to record of Eschylus, Euripides, Sophocles, Lycophron, and the rest of them, both who they were that vanquished in these wars of the theatre, and how often they were crowned: while the Asian kings and Grecian commonwealths scarce afforded them a nobler subject than the unmanly luxuries of a debauched court, or giddy intrigues of a factious city:—Alit cemulatio tngenia, (says Paterculus,) et nunc invidia, nuttc admiratio incitatiojtem accendit: n Emulation is the spur of wit; and sometimes envy, sometimes admiration, quickens our endeavours.

'But now, since the rewards of honour are taken away, that virtuous emulation is turned into direct malice; yet so slothful, that it contents itself to condemn and cry down others, without attempting to do better: it is[1] a reputation too unprofitable, to take the necessary pains for it; yet, wishing they had it, that desire[2] is incitement enough to hinder others from it. And this, in short, Eugenius, is the reason why you have now so few good poets, and so many severe judges. Certainly, to imitate the ancients well, much labour and long study is required; which pains, I have already shewn, our poets would want encouragement to take, if yet they had ability to go through the work[3]. Those ancients have been faithful imitators and wise observers of that nature which is

  1. 'tis, A.
  2. A om. that desire.
  3. through with it, A.
C 2