Page:An Essay of Dramatic Poesy.djvu/44

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24
OF DRAMATIC POESY.

the precepts and practice of the ancients) we should judge our modern plays, 'tis probable that few of them would endure the trial: that which should be the business of a day, takes up in some of them an age; instead of one action, they are the epitomes of a man's life; and for one spot of ground, which the stage I should represent, we are sometimes in more countries than the map can shew us.

'But if we allow the Ancients to have contrived well, we must acknowledge them to have written[1] better. Questionless we are deprived of a great stock of wit in the loss of Menander among the Greek poets, and of Cæcilius, Afranius, and Varius, among the Romans; we may guess at Menander's excellency by the plays of Terence, who translated some of his[2]; and yet wanted so much of him, that he was called by C. Cæsar the half-Menander; and may judge[3] of Varius, by the testimonies of Horace, Martial, and Velleius Paterculus. 'Tis probable that these, could they be recovered, would decide the controversy; but so long as Aristophanes and Plautus[4] are extant, while the tragedies of Euripides, Sophocles, and Seneca, are in our hands[5], I can never see one of those plays which are now written, but it increases my admiration of the ancients. And yet I must acknowledge further, that to admire them as we ought, we should understand them better than we do. Doubtless many things appear flat to us, the wit of which[6] depended on some custom or story, which never came

  1. writ, A.
  2. so A; B has 'them,'
  3. A om. may judge.
  4. Aristophanes in the old Comedy and Plautus in the new, A.
  5. are to be had, A.
  6. whose wit, A.