he repeated with great energy, the lines of Virgil, beginning,
"Ille etiam patriis agmen ciet," &c.
The Duke, overhearing his recitations, entered the apartment, and was surprised to find the young painter's mind richly stored with classical literature. Rubens remained in the service of the Duke of Mantua, who had conceived the strongest attachment to him, nearly eight years, visiting Venice, Rome, Genoa, and other cities, executing many commissions, and leaving everywhere superb specimens of his magic pencil. In 1605, the Duke having occasion to send an envoy to the court of Spain, employed Rubens as a person eminently fitted for the delicate mission. He successfully accomplished the negotiations confided to him, painted the portrait of Philip III., and received from that monarch the most flattering marks of distinction.
RUBENS' RETURN TO ANTWERP.
In 1608, after an absence of eight years, Rubens
was suddenly recalled to Antwerp by the severe illness
of his mother, who died before his arrival. The
loss of his dearly beloved parent was a severe affliction
to him. He had proposed to return to Italy,
but the Archduke Albert, and the Infanta Isabella,
induced him to settle at Antwerp, where he married,
built a magnificent house, with a saloon in the form
of a rotunda, which he embellished with a rich collection
of antique statues, busts, vases, and pictures
