king's name, Apelles attended accordingly, but Ptolemy, indignant at the intrusion, demanded by whom he had been invited; whereupon the painter, seizing an extinguished coal from the hearth, drew upon the wall the features of the man who had invited him, with such accuracy, that the king, even from the first lines, immediately recognized the buffoon, and thenceforth received Apelles into his favor.
APELLES' FAMOUS PICTURE OF CALUMNY.
According to Lucian, the reputation of Apelles,
and the favor he enjoyed at the court of Ptolemy,
excited the jealousy of Antiphilus, a celebrated
Egyptian painter, who unjustly accused him of
having participated in the conspiracy of Theodotus
of Tyre. Apelles was thrown into the dungeon, and
treated with great severity, but his innocence being
clearly established, Ptolemy endeavored to make
reparation, presented him with one hundred talents,
and condemned Antiphilus to be his slave. Apelles,
however, was not satisfied with this reparation,
and on returning to Ephesus, painted in retaliation
his famous picture of Calumny, in which Ptolemy
acted a principal part. Lucian saw this picture,
and thus describes it:
"On the right, is seated a person of magisterial authority, to whom the painter has given ears like Midas, who holds forth his hand to Calumny, as if inviting her to approach. He is attended by Ig-
