placing his hand on his breast and making a low bow, gravely said, "Gentlemen, I assure you that I fully and unequivocally believe every word the last speaker has uttered." A burst of applause followed, and the prize was adjudged to the witty artist.
JARVIS AND BISHOP MOORE.
Jarvis painted the portrait of Bishop Benjamin
Moore, who used to relate one of his quick strokes
of humor with great glee. The good Bishop, during
one of the sittings, introduced the subject of religion,
and asked Jarvis some questions as to his belief
or practice. The painter, with an arch look,
but as if intent upon catching the likeness of the
sitter, waved his hand and said, "Turn your face
more that way, Bishop, and shut your mouth."
JARVIS AND COMMODORE PERRY.
When Jarvis painted the portrait of Commodore
Perry, he wished to infuse into the likeness of the
hero the fire which he supposed animated him during
the terrible contest on Lake Erie. During two
or three sittings he tried in vain to rouse him by his
lively conversation; he would soon sink into a
reverie; it was evident that his thoughts were far
away. The painter now had recourse to artifice.
He deliberately laid down his palette and pencils,
got up, and seizing a chair, swung it over his head
in a menacing manner. This strange conduct instantly
brought Perry to his feet, his eyes flashing
