genius, proud as Lucifer withal; and on his arrival in that metropolis, he found himself full of poverty, enthusiasm, and hope,—often a painter's only capital. He expected to have found Waterhouse, who would have helped him with his advice, and purse if necessary, but he had gone to Edinburg. Instead of going directly to West, as he should have done, he wandered about the "dreary solitude" of London, as Johnson used to characterize the busy hum of that crowded city to the poverty-stricken sons of genius, till he had expended his last dollar.
STUART AN ORGANIST.
Stuart had a great taste for music, which he had
cultivated, and was an accomplished musician. One
day, as he was passing a church in Foster-Lane,
hearing the sound of an organ, he stepped in, and
ascertaining that the vestry were testing the candidates
for the post of organist, he asked if he might
try. Being told that he could, he did so, and succeeded
in getting the place, with a salary of thirty
guineas a year!
STUART'S INTRODUCTION TO WEST.
During all this time, for some unknown reason,
Stuart never sought the acquaintance of West, but
the moment that excellent man heard of the young
painter and his circumstances, he immediately sent
a messenger to him with money to relieve his necessities,
and invited him to call at his studio. "Such
