Stanley, in his edition of Bryan's Dictionary of Painters and Engravers says, "He rose into eminence, and his claims were acknowledged, even in the life time of Sir Joshua Reynolds. His high reputation as a portrait painter, as well in Ireland as in England, introduced him to a large acquaintance among the higher circles of society, and he was in the road of realizing a large fortune, had he not returned to America."
STUART IN IRELAND.
"The Duke of Rutland," says Dunlap, who had
the story from the artist himself, "invited Stuart to
his house in Dublin. Stuart got money enough
together somehow to pay his passage to Ireland;
but when he got there, he found that the duke had
died the day before. If any body else had gone
there, the duke would have been just as sure to
live, for something extraordinary must happen to
Stuart, of course. He soon got into the debtors'
prison again; but he was a star still. He would
not let people give him money. Rich people and
nobles would be painted by him, and they had to go
to jail to find the painter. There he held his court;
flashing equipages of lords and ladies came dashing
up to prison, while their exquisite proprietors waited
for their first sitting. He began the pictures of a
great many nobles and men of wealth and fashion,
received half price at the first sitting, and left their
