Coös chose the former, as the most delicate; but the Cnidians immediately purchased the latter. This work is mentioned by Lucian as the masterpiece of Praxiteles; and it is also the subject of numerous epigrams in the Greek Anthology. Its fame was so great that travelers visited Cnidus on purpose to see it. The original work was destroyed at Constantinople, in the fifth century, in the dreadful fire which consumed so many of the admirable monuments of art, collected in that city.
PRAXITELES AND PHRYNE.
Pausanias relates that the beautiful Phryne,
whose influence over Praxiteles seems to have been
considerable, was anxious to possess a work from
his chisel, and when desired to choose for herself,
not knowing which of his exquisite works to select,
devised the following expedient. She commanded a
servant to hasten to him, and tell him that his work-*shop
was in flames, and that with few exceptions,
his works had already perished. Praxiteles, not
doubting the truth of the announcement, rushed out
in the greatest anxiety and alarm, exclaiming, "all
is lost, if my Satyr and Cupid are not saved!"
The object of Phryne was answered—she confessed
her stratagem, and chose the Cupid.
Pliny mentions two figures of Cupids as among the finest works of Praxiteles, one of which he ranks on an equality with the Venus of Cnidus. It was made of Parian marble. There is an exquisite an-
