on the west side of Leicester Square, furnished it with much taste, added a splendid gallery for the exhibition of his works, and an elegant dining-room; and finally taxed his invention and his purse in the production of a carriage, with wheels carved and gilt, and bearing on its pannels the Four Seasons of the year. Those who flocked to see his new gallery, were sometimes curious enough to desire a sight of this gay carriage, and the coachman, imitating the lackey who showed the gallery, earned a little money by opening the coach-house doors. His sister complained that it was too showy—'What!' said the painter, 'would you have one like an apothecary's carriage?'
"By what course of study he attained his skill in art, Reynolds has not condescended to tell us; but of many minor matters we are informed by one of his pupils, with all the scrupulosity of biography. His study was octagonal, some twenty feet long, sixteen broad, and about fifteen feet high. The window was small and square, and the sill nine feet from the floor. His sitter's chair moved on castors, and stood above the floor a foot and a half; he held his palettes by a handle, and the sticks of his brushes were eighteen inches long. He wrought standing, and with great celerity. He rose early, breakfasted at nine, entered his study at ten, examined designs or touched unfinished portraits till eleven brought a sitter; painted till four; then dressed, and gave the evening to company.
