work of one who paints only for amusement. Those who are resolved to excel, must go to their work, willing or unwilling, morning, noon, and night; they will find it to be no play, but very hard labor."
REYNOLDS' FIRST ATTEMPTS IN ART.
This excellent painter, in his boyhood, showed his
natural taste for painting, by copying the various
prints that fell in his way. His father, a clergyman,
thought this an idle passion, which ought not to be
encouraged; he esteemed one of these youthful
performances worthy of his endorsement, and he
wrote underneath it, "Done by Joshua out of pure
idleness." The drawing is still preserved in the
family.
Dr. Johnson says that Sir Joshua Reynolds had his first fondness of the art excited by the perusal of Richardson's Treatise on Painting.
THE FORCE OF HABIT.
Portraits in the time of Hudson, the master of
Reynolds, were usually painted in one attitude—one
hand in the waistcoat, and the hat under the arm.
A gentleman whose portrait young Reynolds painted,
desired to have his hat on his head. The picture
was quickly despatched and sent home, when it
was discovered that it had two hats, one on the
head, and another under the arm!
