mere object of commerce—that sees with a microscopic eye, but a part of the great machine of the economy of life, and thinks that small part which he sees to be the whole. Commerce is the means, not the end of happiness or pleasure; the end is a rational enjoyment by means of arts and sciences. It is therefore the highest degree of folly to set the means in a higher rank of esteem than the end. It is as much as to say that the brick-maker is superior to the architect." He might have added that the artisan is indebted to the artist for the design of every beautiful fabric, therefore the artist is a more "valuable member of society" than the manufacturer or the merchant.
REYNOLDS' CRITICISM ON RUBENS.
When Sir Joshua Reynolds made his first tour to
Flanders and Holland, he was struck with the brilliancy
of coloring which appeared in the works of
Rubens, and on his return he said that his own works
were deficient in force, in comparison with what he
had seen. "On his return from his second tour,"
says Sir George Beaumont, "he observed to me
that the pictures of Rubens appeared much less
brilliant than they had done on the former inspection.
He could not for some time account for this
circumstance; but when he recollected that when
he first saw them he had his note-book in his hand,
for the purpose of writing down short remarks, he
perceived what had occasioned their now making a
