works and the reputation of the artist. The only true method for excellence and permanence in coloring, is that employed by the great Italian masters, viz: to use well prepared and seasoned canvass; then to lay on a good heavy body-color; to employ only the best mineral colors, which will not chemically react, giving the colors time to harden after laying on each successive coat; and above all, to use no varnishes in the process, nor after the completion of the work, till it is sufficiently hardened by age.
THE INFLUENCE OF THE INQUISITION UPON SPANISH
PAINTING.
A strong and enthusiastic feeling of a religious
character has often inspired the Fine Arts: we owe
to such sentiments the finest and purest productions
of modern painting. Progress in art, however, implies
the study of nature; the study of nature and
the exhibition of its results have continually shocked
the rigid asceticism of a severe morality—a morality
which makes indecency depend on the simple fact
of exposure, not on the feeling in which the work
is conceived. Scrupulous persons often appear unconscious
that in this, as in other things, it is easy
to observe the letter, and to violate the spirit. A
picture or statue may be perfectly decent, so far as
regards drapery, and yet suggest thoughts and ideas
far more objectionable than those resulting from the
contemplation of figures wholly unclothed. Still, it
must be admitted that such a jealousy of the fine arts
