transmitted to the Secretary of State. By January, 1844, it would appear that some, probably many, of them had been stolen, and the report does not tell us how many remained.
"Guadalajara.—It appears that out of four hundred and thirty pictures, a few only were considered to be originals of any value, and were attributed to Ribera, Zurbaran, Carreño, el Greco, and others, for the most part Spanish masters. Twenty-five were completely ruined.
"Guipuzcoa.—The civil war in this province has been the cause and the pretext for the disappearance of many works of art. 'Since,' says the report, 'whilst many have been destroyed on the one hand, on the other the state of affairs has thrown a shield over those who have profited by the confusion, and have unjustly appropriated the property of the state.'
"Jaen.—The Local Commission of Jaen in the course of nine months got together five hundred and twenty-three pictures, of which they reported two hundred and eighty-five as worthless, and placed two hundred and thirty-eight in the old Jesuit convent. The names of Murillo, Zurbaran, Alonso Cano, Castillo, Orrente, Melgar, Juan de Sevilla, Guzman, Coello, Titian, el Greco, and Albano, appear in the catalogue.
"Leon.—'The necessity,' says the report, 'of quartering troops in the various convents of this province, and the scandalous tricks which we know
