excelled in all the three sister arts, particularly in painting. There are many excellent works by Cano in the churches and public edifices at Cordova, Madrid, Granada, and Seville, which rank him among the greatest Spanish painters. As a sculptor, he manifested great abilities, and executed many fine works, which excited universal admiration. He also gained considerable reputation as an architect, and was appointed architect and painter to the king.
CANO'S LIBERALITY.
Cano executed many works for the churches and
convents gratuitously. When he was young, he
painted many pictures for the public places of Seville,
which were regarded as astonishing performances.
For these he would receive no remuneration,
declaring that he considered them unfinished
and deficient, and that he wrought for practice and
improvement.
CANO'S ECCENTRICITIES.
Palomino relates several characteristic anecdotes
of Cano. An Auditor of the Chancery of Granada
bore especial devotion to St. Anthony of Padua,
and wished for an image of that saint from the hands
of Cano. When the figure was finished, the judge
liked it much. He inquired what money the artist
expected for it: the answer was, one hundred
doubloons. The amateur was astonished, and asked,
"How many days he might have spent upon
