politics, but never before was so much struck with the advantages, even in a political bearing, of the Fine Arts, to the prosperity, as well as the renown of a kingdom; and I do assure you, Mr. West, if I ever have it in my power to influence our government to promote the Arts, the conversation which we have had to-day shall not be forgotten." Sir Francis Baring also promised his hearty coöperation. West was mainly instrumental in establishing the Royal British Institution. Taylor, in his History of the Fine Arts in Great Britain, says, he battled for years against coldly calculating politicians for its accomplishment; at length, his plan was adopted with scarcely an alteration.
"The commercial states of the classic ages of antiquity held the arts in very high estimation. The Rhodians were deeply engaged in commerce, yet their cultivation of the arts, more especially that of sculpture, was most surprising. The people of Ægina were equally engaged in commercial pursuits, but they were also admired for the correctness and elegance of their taste and manners, as well as their sculpture. A more ancient people still, the Phœnicians, Tyrians, Tyrrhenians, Etruscans, or Carthagenians, who were all colonies from one race of men, long before the foundation of Rome, understood and taught others the working in metals, one instance of which is remarkable: Hiram, king of Tyre, cast the brazen sea, and other immense objects in metal, for Solomon's temple. Let us cast our
