Page:Appearance and Reality (1916).djvu/429

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.

might be good, and yet not be desired, or, again, that something might be desired which is not good. And, if good is taken generally, these assertions at least are disputable. The term “desirable” belongs to the world of relative goods, and has a clear meaning only where we can speak of better and worse. But to good in general it seems not strictly applicable. A thing is desirable, when to desire it is better. It is not desirable, properly, when you can say no more than that to desire it is good.[1]

The good might be called desirable in the sense that it essentially has to be desired. For desire is not an external means, but is contained and involved in goodness, or at least follows from it necessarily. Goodness without desire, we might say, would not be itself, and it is hence desirable (p. 404). This use of “desirable” would call attention to an important point, but, for the reason given above, would be misleading. At any rate it clearly separates for the moment desire from goodness.

We have attempted now to fix generally the meaning of goodness, and we may proceed from this to lay stress on its contradictory character. The good is not the perfect, but is merely a one-sided aspect of perfection. It tends to pass beyond itself, and, if it were completed, it would forthwith cease properly to be good. I will exhibit its incompleteness first by asking what it is that is good, and will then go on briefly to point out the self-contradiction in its essence.

  1. If pleasure were the only thing that could be desired, it would, hence, not follow straight from this that pleasure is desirable at all, or that, further, it is the sole desirable. These conclusions might follow, but in any case not directly; and the intermediate steps should be set out and discussed. The word “desirable” naturally lends itself to misuse, and has on this account been of service to some Hedonistic writers. It veils a covert transition from “is” to “is to be.”