Stone and Wood Carving.
place, it is not a part of a complete conception.
Things were not so when sculpture and what, for want of a better term, we have called "stone and wood carving" were at their prime.
The Greek craftsman could produce both the great figure of the god, which stood alone as the central object in the temple, and (working in thorough sympathy with the architect) the decorative sculpture of less importance which was attached to the building round about, and without which the beauty of the fabric was incomplete.
So also the great Florentine sculptors spent themselves with equal zeal on a door, the enclosure of a choir, a pulpit, or a tomb, which in those days meant not merely the effigy of the departed, but a complete design of many parts all full of beauty and skill.
