Furniture.
The best work in this kind depends for its effect on a rich, though it may be low tone of colour. It is seldom that more than two or three different kinds of wood are used, but each kind is so carefully selected for the purpose of the design, and is used in so many different ways, that, while the all-important "tone" is kept throughout, the variety of surface is almost infinite. For this reason, though it is not necessary that the designer should actually cut the work himself, it is most essential that he should always be within call of the cutter, and should himself select every piece of wood which is introduced into the design. This kind of work is sometimes shaded with hot sand; at other times a darker wood is introduced into the pattern for the shadows. The latter is the better way; the former is the cheaper.
