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OF MODERN EMBROIDERY
IF we wish to arrive at a true estimate of the value of modern embroidery, we must examine the work being sold in the fancy-work shops, illustrated in ladies' newspapers or embroidered in the drawing-rooms of to-day, and consider in what respect it differs from the old work such as that exhibited in the South Kensington Museum.
The old embroidery and the modern differ widely—in design, in colour, and in material; nor would any one deny that a very large proportion of modern work is greatly inferior to that of past times.
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