Of Modern Embroidery.
they may not have been able to produce so many shades, could dye colours which would wash and did not quickly fade, or when they faded merely lost some colour, instead of changing colour, as so many modern dyes do. The old embroidery is worked with purer and fewer colours; now all kinds of dull intermediate tints are used of gold, brown, olive, and the like, which generally fade rapidly and will not wash. Many people, admiring old embroidery and desiring to make their new work look like it at least in colour, will use tints as faint and delicate as the faded old colours, forgetting that in a few years their work will be almost colourless. It is wiser to use strong good colours, for a little fading does not spoil but really improves them.
So we see that many things combine to render embroidery as fine as that of the past difficult of production, and
