On Designing for the Art of Embroidery.
well emphasised, and of course fine in their character and arrangement, there is produced a sense of largeness and dignity which is of the highest value, and for the absence of which no amount of curious workmanship will atone. In making your design, let these main lines and masses be the first things you attend to, and secure. Stand away at a distance, and see if they tell out satisfactorily, before you go on to put in a single touch of detail.
For the second point: remember that embroidery deals with its objects as if they were all on the same plane. It has been sometimes described as the art of painting with the needle; but it necessarily and essentially differs from the art of painting in this, that it, properly, represents all things as being equally near to you, as laid out before you on the same plane. It would seem, therefore,
