Of Decorative Painting and Design.
but what it is quite possible for a painter to deal with such things and yet to produce a work that shall be decorative.
A picture, of course, may be a piece of decorative art of the most beautiful kind; but to begin with, if it is an easel picture, it is not necessarily related to anything but itself: its painter is not bound to consider anything outside its own dimensions; and, indeed, the practice of holding large and mixed picture-shows has taught him the uselessness of so doing.
Then, too, the demand for literal presentment of the superficial facts or phases of nature often removes the painter and his picture still farther from the architectural, decorative, and constructive artist and the handicraftsman, who are bound to think of plan, and design, and materials—of the adaptation of their work, in short—while the painter
