of heraldry belonging to Lord Morton. The carriage stopped, a man in livery opened the door, and I walked in, giving him my hat and gloves and my American stick (that, by the bye, never leaves me unless I leave it). Upstairs I went and into the drawing-room. The Countess rose at once and came to greet me, and then presented Lord Morton to me—yes, really not me to him; for the moment I was taken aback, I had expected something so different. I had formed an idea that the Earl was a man of great physical strength and size; instead I saw a small, slender man, tottering on his feet, weaker than a newly hatched Partridge; he welcomed me with tears in his eyes, held one of my hands and attempted speaking, which was difficult to him, the Countess meanwhile rubbing his other hand. I saw at a glance his situation and begged he would be seated, after which I was introduced to the mother of the Countess, Lady Boulcar, and I took a seat on a sofa that I thought would swallow me up, so much down swelled around me. It was a vast room, at least sixty feet long, and wide in proportion, let me say thirty feet, all hung with immense paintings on a rich purple ground; all was purple about me. The large tables were covered with books, instruments, drawing apparatus, and a telescope, with hundreds of ornaments. As I glanced at the pictures I could see the Queen of England fronting Mary of Scotland, a chamberlain here, a duke there, and in another place a beautiful head by Rembrandt. Van Dyke had not been forgotten; Claude Lorraine had some landscapes here also; while the celebrated Titian gave a lustre to the whole. I rose to take a closer view, the Countess explaining all to me, but conceive my surprise when, looking from the middle window, I saw at the horizon the castle and city of Edinburgh, a complete miniature eight miles off, a landscape of fields, water, and country between us and it. Luncheon was announced; I am sure if my friends complain that
