worth, in whom he also at first seemed to find much to admire: but I, like most Wordsworthians, threw myself into strong antagonism to Byron, both as a poet and as to his influence on the character. Roebuck, all whose instincts were those of action and struggle, had, on the contrary, a strong relish and great admiration of Byron, whose writings he regarded as the poetry of human life, while Wordsworth’s, according to him, was that of flowers and butterflies. We agreed to have the fight out at our Debating Society, where we accordingly discussed for two evenings the comparative merits of Byron and Wordsworth, propounding and illustrating by long recitations our respective theories of poetry: Sterling also, in a brilliant speech, putting forward his particular theory. This was the first debate on any weighty subject in which Roebuck and I had been on opposite sides. The schism between us widened from this time more and more, though we continued for some years longer to be companions. In the beginning, our chief divergence related to the cultivation of the feelings. Roebuck was in many respects very different from the vulgar notion of a Benthamite or Utilitarian. He was a lover of poetry and of most of the fine arts. He took great pleasure in music, in dramatic performances, especially in painting, and himself drew and designed landscapes with great facility and beauty. But he never could be made to
