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The ben marcato phrase (No. 6) is next given, but with a difference, and on a pedal D, six times over. The second subject (No. 7) follows on this, in D major, and then the various passages and episodes already enumerated, with corresponding changes of key, and important modifications in the distribution of the instruments. At length, the repetition of the first portion of the movement is concluded, not as before in B-flat, but in D minor. And now begins a peroration, or coda, which is so immense in its proportions, so dignified and noble and passionate in its
