262 CRITICAL STUDIES the alone ; and thus it is by no means strict in its theology, being Swedenborgian in one man and Pan- theistic in another, while in the East it has readily assimilated Buddhism and Brahminism and Moham- medanism. Its supreme tendency is to remain or to become again childlike, its supreme aspiration is not virtue, but innocence or guilelessness : so that we may say with truth of those whom it possesses, that the longer they live the younger they grow, as if "passing out to God by the gate of birth, not death." These few hints may serve as points of departure for some slender lines of relation between William Blake the Second and the principal subsequent poets. It must be borne in mind that the object here is not a survey of the full circle of the powers of any of these poets; they may be very great or very small in various other respects, while very small or very great in respect of this mystical simplicity. The heads of Da Vinci and Titian and Rembrandt, the bodies of Correggio and Rubens, would all count for nothing were we instituting a comparison between the old masters simply as painters of the sky. Wordsworth ever aspired towards this simplicity, but the ponderous pedantry of his nature soon dragged him down again when he had managed to reach it. He was a good, conscientious, awkward pedagogue, who, charmed by the charms of child- hood, endeavoured himself to play the child. Were it not rather too wicked, I could draw from ^tsop another excellent illustration. He was not wrong when he proclaimed himself eminently a teacher; 'tis a pity that six days of the seven his teaching was of the Sunday-school sort.
