than the Romans do. In fact, he was so carried away by the vivacity of the Venetians, the maskings, flirtings, and what not, which he encountered in the fair city of the sea, that Thomas began to out-Herod Herod, and lived his life at such a rate as to scandalise the Venetian authorities, who directed their ambassador at Paris to wait on the English King, and urge the recall of his envoy. Charles complied, but it was not likely that the peccadilloes of which 'Tommaso' had been guilty should appear unpardonable in the eyes of the merry monarch, and he received the delinquent into especial favour, and on the Restoration Tom became Groom of the Bedchamber, and the King's inseparable companion. Pepys, in his diary of 1660, about the time of Charles's return to his dominions, records his meeting with Tom, when being on my Lord Sandwich's ship, he met, 'with other fine company, Tom Killigrew, a merry droll, but a gentleman, full of wit and humour, a general favourite, especially with the King. And I walked with him for some time on the deck, and he told most amusing stories.'
Killigrew had not been long in England before he put a darling scheme into execution, namely, to bring over an Italian troop of actors from Venice to perform in singing and recitative. He had by this time set up as a dramatic author, and was instrumental in introducing into England the fashion of female performers, for, until the Restoration, actresses had not appeared on the stage, although in Italy, Spain, and elsewhere, the female characters were always represented by women. It may easily be believed that this innovation fell in with the royal taste, and there was great amusement afforded by a representation of the Parson's Wedding, a comedy of Master Killigrew's own writing, entirely performed by females. In another portion of his diary Pepys relates how he met Tom at my Lord Brouncker's one night in company with a certain musician, one Signor Baptista, and Killigrew told us how they
