with which it affects other ideas, an energy which is infinite in the here-and-nowness of immediate sensation, finite and relative in the recency of the past. The third element is the tendency of an idea to bring along other ideas with it.
As an idea spreads, its power of affecting other ideas gets rapidly reduced; but its intrinsic quality remains nearly unchanged. It is long years now since I last saw a cardinal in his robes; and my memory of their color has become much dimmed. The color itself, however, is not remembered as dim. I have no inclination to call it a dull red. Thus, the intrinsic quality remains little changed; yet more accurate observation will show a slight reduction of it. The third element, on the other hand, has increased. As well as I can recollect, it seems to me the cardinals I used to see wore robes more scarlet than vermillion is, and highly luminous. Still, I know the color commonly called cardinal is on the crimson side of vermillion and of quite moderate luminosity, and the original idea calls up so many other hues with it, and asserts itself so feebly, that I am unable any longer to isolate it.
A finite interval of time generally contains an innumerable series of feelings; and when these become welded together in association, the result is a general idea. For we have just seen how by continuous spreading an idea becomes generalised.
The first character of a general idea so resulting is that it is living feeling. A continuum of this feeling, infinitesimal in duration, but still embracing innumerable parts, and also, though infinitesimal, entirely unlimited, is immediately present. And in its absence of boundedness a
