justify Nero by invoking State necessity. Agrippina alone remained the object of the universal hatred, as the sole cause of so many misfortunes. Implacable enemies, concealed in the shadow, were subtly at work against her; they organised a campaign of absurd calumnies in the Court itself, and it is this campaign from which Tacitus drew his material.
Some wretches finally dared even accuse her of conspiracy against the life of her son. Agrippina, refusing to plead for herself, still weathered the storm, because Nero was afraid of her, and though he tried to escape from her authority, did not dare to initiate any energetic move against her. To engage in a final struggle with so indomitable a woman, another woman was necessary. This woman was Poppæa Sabina, a very handsome and able dame of the great Roman nobility. Poppæa represented Oriental feminism in its most dangerous form: a woman completely demoralised by luxury, elegance, society life, and voluptuousness, who eluded all her duties toward the species in order to enjoy and make others enjoy her beauty.
Corrupted as that age was, Poppæa was more corrupt. As soon as she observed the strong impression she had made on Nero, she conceived
