and clear is its explanation. To those who showed surprise that the history of Rome could become fashionable in Paris salons, I have always replied: My history has had its fortune because it was the history of Rome. Written with the same method and in the same style, a history of Venice, or Florence, or England, would not have had the same lot. One must not forget that the story of Rome occupies in the intellectual world a privileged place. Not only is it studied in all the schools of the civilised world; not only do nearly all states spend money to bring to light all the documentary evidence that the earth still conceals; but while all other histories are studied fitfully, that of Rome is, so to speak, remade every fifty years, and whoever arrives at the right time to do the making can gain a reputation broader than that given to most historians.
There is, so to speak, in the history of Rome an eternal youth, and for the mind in what is commonly called European-American civilisation, it holds a peculiar attraction. From what deep sources springs this perennial youth? In what consists this particular force of attraction and renewal? It seems to me that the chief reason for the eternal fascination of the history of Rome is this, that it includes, as in a miniature drawn
