Page:Chats on old prints (IA chatsonoldprints00haydiala).pdf/22

Chapter II.—Etching (continued). FACING
                                                                PAGE
    St. Peter, from an etching by Callot 64

    Four subjects etched by Simon Guillain, from Caracci's
     "Cries of Bologna" 68

    The Angler, from an etching by Ostade 70

    Les Environs de Southampton, from an etching by
     Gaucherel, after Dupré 72

    À Mèstras, from an etching by A. Queyroy 74


Chapter III.—Wood Engraving.

    Samson Slaying the Lion, from a woodcut after Dürer 80

    Two woodcuts by Lützelburger, from Holbein's "Dance
     of Death" 82

    Venus and Cupid, after a woodcut by Jost Amman 84

    Illustration of Woodblock by Bewick, and wood engraving
     from same 86

    Two fable subjects, from wood engraving by Bewick, and
     copper engraving by Causé 88


Chapter IV.—Wood Engraving. The Victorian Facsimile
      School.

    The Dipping Place, from a wood engraving, by Dalziel,
     after Birket Foster 94

    Cleopatra, from a wood engraving by Dalziel, after
     F. Sandys 98

    Until her Death, from a wood engraving by Dalziel,
     after F. Sandys 100

    The Dervise, from a wood engraving by Dalziel, after
     A. Boyd Houghton 104

    The Withered Flower, from a wood engraving by Dalziel,
     after A. Boyd Houghton 106

    Madam Blaize, from a wood engraving by Dalziel, after
     G. J. Pinwell 108

    The Great God Pan, from a wood engraving by Dalziel,
     after Leighton 110