Chapter XII.—Mezzotint Engraving. FACING
PAGE
The Windmill, showing two states of plate 238
The Jolly Topers (Gérard Dou), from mezzotint by J. Smith 240
Baron Wilmington, from mezzotint by P. Pelham 242
Richard Boyle, from mezzotint by Faber. Addison, from
mezzotint by J. Smith 244
Distant View of Rome from Tivoli (Poussin). Morning (after
Wilson), from mezzotints by S. W. Reynolds 248
Spring and Noon (Constable), from mezzotints by David
Lucas 250
Chapter XIII.—Aquatint and Colour Prints.
Figures (after Wheatley), by J. Hassall; Landscape (Varley),
from aquatint by F. C. Lewis 258
Four subjects from aquatints by C. Metz after Parmegiano 260
Marsden (Yorkshire); The Wrekin (Shropshire), from
aquatints by J. Hill, after Dibdin 262
Chapter XIV.—Lithography.
Rouen (J. D. Harding), from a lithograph by C.
Hullmandel 276
Portrait of Caspar de Crayer (Vandyck), from a lithograph
by H. C. Selous 280
Une Rivière, from an original lithograph by Allongé 284
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