purely intellectual, Lear introduces quite another element--the element of the poetical and even emotional. Carroll works by the pure reason, but this is not so strong a contrast; for, after all, mankind in the main has always regarded reason as a bit of a joke. Lear introduces his unmeaning words and his amorphous creatures not with the pomp of reason, but with the romantic prelude of rich hues and haunting rhythms.
'Far and few, far and few, Are the lands where the Jumblies live,'
is an entirely different type of poetry to that exhibited in 'Jabberwocky.' Carroll, with a sense of mathematical neatness, makes his whole poem a mosaic of new and mysterious words. But Edward Lear, with more subtle and placid effrontery, is always introducing scraps of his own elvish dialect into the middle of simple and rational statements, until we are almost stunned into admitting that we know what they mean. There is a genial ring of commonsense about such lines as,
'For his aunt Jobiska said "Every one knows That a Pobble is better without his toes,"'
which is beyond the reach of Carroll. The
