Southampton, and others, a new version of King Lear, and a complete drama, Vortigern and Rowena. He completely deceived his f. and various men of letters and experts, but was detected by Malone, and the representation of Vortigern on the stage completed the exposure. I. then tried novel-writing, in which he failed. He pub. a confession in regard to the forgeries, in which he asserted that his f. had no part in the imposture, but had been completely deceived by it.
Irving, Edward (1792-1834).—Theologian and orator, b. at Annan, Dumfriesshire, and ed. at Edin. Univ., for some years thereafter was engaged in teaching at Kirkcaldy. Ordained to the ministry of the Church of Scotland he became, in 1819, assistant to Dr. Chalmers in Glasgow, after which he went to the Scotch Church in Hatton Gardens, London, where he had an almost unprecedented popularity, his admirers including De Quincey, Coleridge, Canning, Scott, and others. The effect of his spoken oratory is not preserved in his writings, and was no doubt in a considerable degree due to his striking appearance and fine voice. He is described as "a tall, athletic man, with dark, sallow complexion and commanding features; long, glossy black hair, and an obvious squint." Soon after removing to a new church in Regent Square he began to develop his views relative to the near approach of the Second Advent; and his Homilies on the Sacraments involved him in a charge of heretical views on the person of Christ, which resulted in his ejection from his church, and ultimately in his deposition from the ministry. Thereafter his views as to the revival, as in the early Church, of the gifts of healing and of tongues, to which, however, he made no personal claim, underwent rapid development, and resulted in the founding of a new communion, the Catholic Apostolic Church, the adherents of which are commonly known as "Irvingites." Whether right or mistaken in his views there can be no doubt of the personal sincerity and nobility of the man. His pub. writings include For the Oracles of God, For Judgment to Come, and The Last Days, and contain many passages of majestic eloquence.
Irving, Washington (1783-1859).—Essayist and historian, b. in New York, s. of William I. who had emigrated from Scotland. He was in his youth delicate, and his education was somewhat desultory, but his f. had a fine library, of which he had the run, and he was an omnivorous reader. In 1799 he entered a law office, but a threatening of consumption led to his going, in 1804, on a European tour in search of health. On his return in 1806 he was admitted to the Bar. He did not, however, prosecute law, but joined his brothers in business as a sleeping partner, while he devoted himself to literature. In 1807 he conducted Salmagundi, an amusing miscellany, and in 1809 appeared A History of New York by Diedrich Knickerbocker, a burlesque upon the old Dutch settlers, which has become a classic in America. He made in 1815 a second visit to Europe, from which he did not return for 17 years. In England he was welcomed by Thomas Campbell, the poet, who introduced him to Scott, whom he visited at Abbotsford in 1817. The following year the firm with which he was connected failed, and he had to look to literature for a livelihood. He produced The Sketch-Book (1819), which was, through the influence of Scott, accepted by
