here who wish to see you." "I don't want to come." "But you must come, you see!" "Very well; tell them I will come in a moment." She went to the little bird: "Ah little Bird Verdeliò, make me more beautiful than I am!" Then she was dressed as she had been the last evening, with the sun, and moon, and stars, and in addition, great chains all of gold everywhere about her. The bird said: "Take me away with you! Put me in your bosom!" She puts the bird in her bosom and begins to descend the stairs. "Do you hear her?" said the father, "do you hear her? She is dragging with her the chains from the chimney-corner. You can imagine how frightful she will look!" When she reached the last step, and they saw her, "Ah!" they exclaimed, and recognized the lady of the ball. You can imagine how her father and sisters were vexed. They made her sit down, and tried on the slipper, and it fitted her. Then they made her enter the carriage, and took her to his Majesty, who recognized the lady of the other evenings. And you can imagine that, all in love as he was, he said to her: "Will you really be my wife?" You may believe she consents. She sends for her father and sisters, and makes them all come to the palace. They celebrate the marriage. Imagine what fine festivals were given at this wedding! The servants who had discovered where Cinderella lived were promoted to the highest positions in the palace as a reward.16
In the second class of stories alluded to above, the heroine flees in disguise from her home to avoid a marriage with her father or brother. The remainder of the story resembles Cinderella: the heroine reveals herself from time to time in her true form, and finally throws off her disguise. The following story, which illustrates this class, is from the province of Vicenza (Corazzini, p. 484), and is entitled:
