Page:Critical Woodcuts (1926).pdf/36

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to me so joyful within himself that a marvelous thing it was; and in his words he spoke many things which I understood not save a few, among which I understood these: Ego Dominus tuus. In his arms meseemed to see a person sleeping, naked, save that she seemed to be wrapped lightly in a blood-red cloth. . . . In one of his hands it seemed to me that he held a thing which was all on fire; and it seemed to me that he said these words to me: Vide cor tuum. And when he had remained a while, it seemed to me that he awoke her that slept; and he so far prevailed upon her with his craft as to make her eat that thing which was burning in his hand; and she ate it as one in fear.

God knows what our psychoanalysts would make of this naked lady eating a man's heart; but it was once generally understood to express something of the fiery ecstasy in which this Italian vagabond entered upon a new spiritual life; and I wish modern readers who are under the spell of psychoanalytic quacks might have it in mind when they attempt to classify the day dreams of Sherwood Anderson. As for myself, for the moment I will say only that time after time he has caught and reported fragments of spiritual meaning beneath our struggle—more or less stolidly, more or less handsomely, refined and concealed—our struggle for existence.

Many of Mr. Anderson's associates in the movement have intimated—some of them have vehemently affirmed—that life has no inner meaning and purpose. And I myself have long been inclined to believe, with Conrad, for example, that life's meaning is only in the figure or pattern which human volition marks and holds in place upon the surface of infinite chaos and darkness. Perhaps I have been too rarely a mystic,