ANSUINO in Paris Oct. 20, 1840. History painter ; landscape painter (died 1859) ; studied in studied at Antwerp and in Paris with F. A. i Paris from 1834 to 1840, when his first Vincent ; he attained distinction through his picture was exhibited at the British Insti- pleasing talent and a certain skill of treat- 1 tute. Influenced by the Pre-Raphaelite ment received several medals and the L. of school. Works : Lake of Killarney (1845), Honour Works : Kleber in the Battle of i bought by Prince Albert ; Sunday Morn- Heliopolis (1799); Sappho and Leda (1801);; ing (1846), Harvest Home (1847), Elm at Angelica and Medor (1810) ; Assumption j Eve (1850), Village Bridal (1851), Monarch (1812) ; Resurrection (1812) ; Conversion of | Oak (1852), Stratford on Avon (1853), Stone- St. Paul (1814), Liege Cathedral ; Richelieu henge (1859), Hesperus (1860), Relic of Feu- introducing Poussin to Louis XIII. (1817), , dal Time (1863), Rest for the Weary (1865), Bordeaux "Museum ; Rinaldo and Armida j Lerida Spain (1869), Night and Storm (1817); Education of Cupid, Judgment of (1871), Hazlewick Mill Sussex (1872), Even- Paris, Diana's Nymph (1819), Return of the song (1873), Incident by the Wayside (1878), Prodigal Son (1819), Town Hall, Liege ; St. Trawlers Morning (1883). Meyer, Kunst. Paul at Athens, St. JCtienne, Paris ; Scourg- Lex., ii. 101. ing of Christ, Metz Cathedral; Resurrection, ANTHONY, ST., TEMPTATION OF, . Arras Cathedral ; Pieter Brueghel, the younger, Dresden Adoration of the ! Gallery ; copper, H. 11 in. X 1 ft. 3 in. ; Magi, Mans Ca- signed, dated 1604. The Saint praying in thedral ; Erection his cell at left, is tempted by a beautiful of the Cross, Angers Cathedral ; St. John young woman, richly habited, who is ac- censuring Herodes, Finding of Moses, Lille companied by numerous demons ; at right, Museum. Meyer, Kiinst. Lex., ii. 90. a rocky country, with buildings in back- ANSUINO or ANSOVINO DA FORLI, ground. Reveil, xii. 837. Paduan school (1443-1460). Pupil of Squar- By Lucas van Lei/den, Dresden Gallery ; cione, co-labourer with Mantegna in the dec- wood, round, diam. 9 in. St. Anthony retired oration of the Eremitani, and with Pizzolo | apart to pray, is tempted by the Demon in and Fra Filippo in the chapel of the Podesta ' the form of a young and pretty woman, in the Santo. The Adoration of St. Christo- f richly dressed, holding in her hands a scep- pher in the Eremitani is his work. In it I tre and a casket, indicative of power and wealth. Reveil, xii. 844. By David Teniers, younger, Berlin Muse- Paduan art begins to present the character afterwards known as Mantegnesque, without showing much progress in the blending of um; canvas, H. 2 ft. 8 in. x 3 ft. 10 in. ; signed, light and shade, or feeling in the production ' dated 1647. The Saint kneels in anxiety be- of tone. C. & C., N. Italy, i. 312 ; Meyer, Kiinst. Lex., ii. 91. ANTENORIDES or ANTORIDES, paint- er, mentioned as pupil of Aristides. Pliny, xxxv. [111]. ANTHONISSEN, H. (Hendrik?) VAN, flourished middle of 17th century. Dutch school ; marine painter in style of J. van Goyen and Jan Parcellis. Works in Her- mitage, St. Petersburg and Prague Gallery. ANTHONY, MARK, born at Manches- ter, England, in 1817. Landscape painter ; pupil of his uncle, George W. Anthony, fore a stone altar, the corners of which are shooting out into heads of monstrous beasts ; beside him stands an old hag who is placing before him a Brabant beauty, offering a goblet of wine ; around him are imps in many forms, twitching at his garments and performing all manner of mad tricks, sing- ing, shouting, and screaming; and the air is filled with flying demons and reptiles. Kugler (Crowe), 326 ; Smith, ix. 408. By David Teniers, younger, Louvre, Paris ; wood, H. 2 ft. x 1 ft. 8 in. The Saint kneel- ing in a grotto before a book placed against 50
