BARBARELLI of the Bombardieri, St. Barbara being the patroness of the Venetian artillerists. C. & C., N. Italy, ii. 405 ; Rio, iv. 109. BARBARELLI, GIORGIO. See Gioryi- one. BARBARI (Barbaris), JACOPO DE', bora in Venice between 1440 and 1450, died be- fore 151G. Venetian school. Probably iden- tical with Jacoino Barberiuo Veneziano, who is said to have gone to Germany and to Burgundy and there adopted the art of those countries. Ephrussi thinks that Ja- is on a panel of 1504 in the Augsburg Gal- lery, and on a head of Christ in the Weimar Museum. Other works : Christ Blessing, St. Catherine, St Barbara, Galatea (attrib- uted to Botticelli), Dresden Gallery ; Ma- donna and Saints, Berlin Museum ; Portrait of Young Man, Vienna Museum ; do., Berga- mo Gallery. C. & C., N. Italy, i.229; Meyer, KUnst Lex., ii. 70C ; Thausing, Ddrer, 216 ; Gaz. des B. Arts (18C1), xi. 311, 445 ; (1873), viiL 223 ; (1876), viii. 363 ; Notizia d'opero di Disegno, pub. de D. I. Morelli (Bassano, Banquet of the Civic Guird, B. van del Heist. National Muleum, Amittrdim. 1800), 77, 221 ; Lermolieff, 57, 168 ; Zeitschr. f. b. K, xii. 339. copo went to Nuremberg before 1494, and learned the technics of engraving there from Wohlgemuth. He was formerly known only as an engraver, and called the Master of the Caduceus from the mark which he used upon his plates. He was the colleague of Mabuse in the service of John of Burgundy, Bishop of Utrecht, and excelled as a painter and engraver. Supposed also by some to have been identical with Jacometto of Venice and with Jacob Walch, alluded to in Diirer's cor- respondence as an artist who had given him valuable hints in his youth. His signature BARBARI (Barbaris), NICCOI/) DE 1 , beginning of 16th century. Venetian school ; of northern education, and probably a co-
