BOULANGER BOULANGER, GUSTAVE (RODOLPHE I CLARENCE), bom in Paris, April 25, 1824. ( History painter, pupil of Jollivet and of Delaroche ; won the prix de Rome in 1849 ; re- turned from Italy in 1856 ; has trav- elled in Africa. Medals : 2d class, 1857, 1859, 1863, and 1878; L. of Honour, 1865; Member of Institute, 1882. Works: Ulysses recognized by Eurycleia (1849) ; C;i'sar at the Rubicon; The Choassa, House of the Tragic Poet in Pompeii, Maestro Palestrina (1857) ; Arabian Herdsmen, Lucretia, Les- bia (1859) ; Hercules at Feet of Omphale, Copy of the Flute Player and the Wife of Diomed (Prince Napoleon) ; An Arab (1861); Csesar at the Head of the Tenth Legion, Ka- byles, The Defeat (1863) ; Horsemen of the Sahara (1864); Djeid and Rahia, Portrait of Hamdy-Bey (1865) ; Catharine I. with Me- hemet Baltadji, Woman selling Crowns in Pompeii (1866); The Mamillare (1867); El Hiasseub, Arabian Story-Teller, Street of the Tombs in Pompeii (1869); Tisan Emir, The Chaouches of the Hakem, Souvenir of Old Blidah (1870) ; Waiting for their Lord and Master (1872); The Search of the Aid Srir at Biskra (1873) ; A-ppian Way in Time of Augustus (1874) ; The Gyneceum (1875) ; Summer Bath at Pompeii, Roman Comedi- ans rehearsing their parts (1876); St. Se- bastian and the Emperor (1877); Repast in House of Lucullus (1878); Slave with a Fan (1882); Source of the Tiber (1883); Captive, Woman of the Ouleid-Nahir (1884); Jewish Water Carrier in Algiers, Mother of the Gracchi (1885); Turkish Justice, Samuel Hawk Collection, New York. Larousse ; Miiller, 70. BOULANGER, LOUIS, born at Vercelli, Piedmont, March 11, 1806, died at Dijon, March 5, 1867. Genre painter, pupil of Lethiere and of Achille Deveria; one of the leading artists of the romantic school. Medals: 2d class, 1827 ; 1st class, 1835; L. of Honour, 1840 ; director of the School of Art in Dijon after 1860. He exhibited in most of the Salons from 1827 to 1866 ; has illustrated works of Victor Hugo and others. Works : Mazeppa (1827), Rouen Museum ; Assassination of Louis of Orleans by the Duke of Burgundy (1833), Ministry of Public Works ; Hymn of Judith (1833), Ministry of the Interior ; Renard the Fox in the Gardens of Armida, Death and the Woodcutter, Spanish Mule-Drivers (1833); a series of brilliant water-colours representing scenes from Notre Dame de Paris, Beatrice Cenci, Lucretia Borgia, Othello, and King Lear (Salons of 1833 and 1834) ; Camacho's Wedding (1835) ; Triumph of Petrarch (1837); Three Women beloved by Poets (1840, Dante's Beatrice, Petrarch's Laura, Ariosto's Orsolina) ; Virgil's Shepherds, Women Bathing (1845) ; Hecuba's Grief (1858), Ministry of the Interior ; Ugolino and his Sons (1858) ; King Lear and his Fool (1853); St. Jerome and the Roman Fu- gitives (1855); Gentlemen of the Sierra, Gui- tar-Player, Festival in the Castle of Lirias, Romeo buying the Poison (1857); Don Quix- ote and the Goatherd, Othello, Macbeth, The Message (1859); The Revery of VellSda, The Sunday Patrol (1861); Virgil's Georgics (1863); Holy Family (1865), bought by State ; Fear Nothing, thou bearest Csesar (1865) ; Concert in Picardy (1866). La- rousse; Kunst-Chronik, ii.113; L'Art, i. 224 ; Portfolio (1875), 178. BOULANGER, Mme. MARIE ELIZA- BETH (nc-e Blavot), born in Paris in 1810. Genre painter ; pupil in water-colour of C. Roqueplau, and in oil of Louis Boulanger, whom she married ; after his death she mar- ried F. Cave, director of the Beaux Arts. Medals: 3d class, 1836; 2d class, 1839. Works : Child crying over its Goat, Jean 190
