CAMPI ii. 435 ; Ch. Blanc, l5cole lombarde ; Burck- hardt, 738 ; Rio, iii. 359. CAMPI, BERNARDINO, born in Cre- mona in 1522, died there about 1590. Lom- bard school ; son of Pietro Campi, a gold- decorated with his pictures. He painted also St. Jerome in the Cathedral, Mantua ; Pentecost (1546), S. Sigismoudo, Cremona; Christ before Pilate, Cathedral of Cremona; Crucifixion, S. M. della Passione, Milan ; smith, of the same family as Galeazzo ; ! and Conversion, Baptism, Miracles, and pupil of Giulio Campi, and of Ippolito Costa Death of St. Paul, S. Paolo, Milan ; Ma- at Mantua, where he studied the works of i donna with Saints (1527), high altar, S. Giulio Romano, as also afterwards those of Correggio in Parma, Modena, and Reggio. After successfully imitating the manner of these painters, ho formed a vigorous and brilliant style of his own. He painted many excellent portraits. Became among the Campi what Annibale Carracci was in his family, and received commissions from all the neighbouring citiea His most im- portant works are in S. Sigismondo, Cre- mona, where he painted (1570-71) in the great cupola many figures from the Bible, representing the concourse of the blessed. His many works are described by his biog- rapher Alessandro Lamo. Lanzi, ii. 437; Ch. Blanc, cole lombarde ; Burckhardt, 738 ; Kugler (Eastlake), 495. CAMPI, GALEAZZO, of Cremona, born Abbondio, Cremona ; (Frescos 1547), S. Mar- gherita, Cremona, Castelbarco Gallery, Mi- lan, picture dated 1530. Lanzi, ii. 432 ; Vasari, ed. Mil., vi. 496 ; Ch. Blanc, Ecole lombarde ; Burckhardt, 738 ; Rio, iii. 380. CAMPI, VDJCENZO, born in Cremona before 1532, died Oci 3, 1591. Lombard school ; youngest son of Galeazzo, and brother and pupil of Giulio Campi. Good painter of portraits and of still life. Aided his brothers, in S. Paolo, Milan, and in other churches. Pictures in the Brera, Milan ; Descent from Cross, Cathedral of Cremona. Vasari, ed. MiL, vi. 496 ; Lauzi, ii. 436 ; Ch. Blanc, Ecole lombarde. CAMPUZANO, Don TOMAS; contempo- rary. Landscape painter ; Medal, Madrid, 1883. Works : In the Bay (1881); Beach in 1477, died in 1536. Lombard school ; of Vivero (1883); The Tajo at Lisbon ; The style formed on that of Boccaccino. His Tajo at Belem (1884). La Ilustracion Raising of Lazarus (1515), now in Casal i (1881), i. 419 ; ii. 65 ; (1883), i. 123; (1884), Maggiore, is quaintly treated with senti- ' ii. 219. mental realism. Other pictures of his are CAMUCCINLVINCENZO.Cavaliere.born the St. Christopher (1516), in S. Sigismondo in Rome in 1773-75, died there, Sepi 2. and the Madonna in S. Sebastiano, Cremo- j 1844. Italian school ; history and portrait na ; Portrait of the Artist, Uffizi, Florence, painter ; pupil of his brother Pietro, a pict- Galeazzo was the father of Giulio, Antonio, ure restorer, and of Bombelli the engraver, and Vincenzo Campi. C. & C., N. Italy, ii. but formed himself chiefly by copying the 447 ; Vasari, ed. Mil., vi. 496 ; Ch. Blanc, old masters. Stimulated by the arrival of Ecole lombarde ; Burckhardt, 738 ; Rio, iii. David at Rome, he painted, in the classic 377. j manner, a series of pictures illustrative of CAMPI, GIULIO, born in Cremona about Roman history, as well as many religious 1500, died there in 1572. Lombard school ; ' subjects, which won him reputation. He son and pupil of Galeazzo Campi, afterwards was also eminent as a portrait painter, pupil of Giulio Romano at Mantua, and among his sitters being Pius VIL, the King later studied Raphael and the antique at ' and Queen of Naples, Countess Schouvaloff, Borne. Became the founder of the eclectic Countess de Diedrichstein, Due de Blacas, school of painting at Cremona Distin- and other notable persons. He was inspec- guished both as a painter and an architect tor-general of the pontifical museums, and of S. Margherita, Cremona, is almost wholly the factory of mosaics, and of the Neapoli- S37
