COEXELISZEN Dr. Weber, Berlin ; Little Altarpiece with Madonna, Saints, Donor and Donatrix, Prince Frederick's Collection, Hague ; Noli Me Tangere (1507), Altarpiece (1523), Cas- sel Gallery ; Altarpiece with Crucifixion (?), Cologne Museum ; Birth of Christ, with An- gels, Shepherds, etc. (1512), Naples Muse- um ; Lucretia, Pesth Museum ; Adoration of the Magi, Archbishop Museum, Utrecht ; Portrait (1533), Museum Kunstliefde, Utrecht ; Adoration of Magi, Verona Mu- seum ; Altarpiece, Ambras Collection, Vi- enna ; Altarpiece (1511), Male Portrait, Mu- seum, ib. ; Departure of Christ from Mary, Gothic House, Worlitz ; Portraits of a Dutch Gentleman and Lady, with SS. Peter and Paul, National Gallery, London. Allgem. d. Biogr., iv. 482 ; Fiirster, Denkmale, XL iii. 15 ; Jahrbuch der kGngl. preuss. Kunst- sainmlg., iii. 13 ; Kunst-Chronik, xv. 579 ; Repertorium f. K., i. 18G ; Zahn's Jahr- bttcher, v. 48 ; Zeitschr. f. b. K., ii. 41. CORNELISZEN, CORNELIS, called Cor- uelis van Haarlem, born in Haarlem in 1562, died there, Nov. 11, 1638. Dutch school ; history and portrait painter, pupil of Pieter Aertszeu, the younger, and in Ant- werp of Gillis Cong- net ; one of the best artists of that period ; founded with Karel van Mander, about 1583, the Haarlem Acad- emy. Works : Massacre of the Innocents (1590), do. (1591), Adam and Eve (1592), Wed- ding of Peleus, Portrait of Dirk Volkersz Koornliert, National Museum, Amsterdam; Young Bacchus (1607), Rotterdam Museum ; Archers' Banquet (1583), do. (1599), The Haar- lem Miracle (1591), An Auto-da-fe (1595), ' Baptism of Christ, Adam and Eve (1620), Christ blessing the Children (1633), Haarlem Museum ; The Deluge (1592), Venus and Cu- j pid (1610), Venus and Adonis, Democritus j andHeraclitus(1613),TheGoldeu Age(1615), j Brunswick Museum ; Erection of Brazen Serpent (1597), Darmstadt Museum ; Fe- male Portrait, Proviuzial Museum, Hanover ; Golden Age (1616), Toulouse Museum ; Al- legory on Brevity of Life (1617), Copen- hagen Gallery ; Bathsheba (1617), Berlin Museum ; Venus, Apollo, and Ceres (1614), Dresden Museum ; Dragon devouring the CM., Or- People of Cadmus. Allgem. d. Biogr. , x. 260 ; Ch. Blanc, Ecole hollandaise ; Immerzeel, ii. 4 ; Krarnrn, ii. 621 ; Riegel, Beitrage, i. 119 ; ii. 157 ; Van der Willigen, 114. CORNELIUS, PETER VON, born in Diisseldorf, Sept 23, 1783, died in Berlin, March 6, 1867. Ger- man school ; history painter, pupil of his father, Aloisius, and from 1796 at the Diisseldorf Academy under Langer. After his father's death in 1799 he contributed to the support of his family by painting portraits, making designs for calendars, etc., until about 1806-1808, when he was em- ployed to decorate the cupola and choir of St. Quirin's at Neuss. In 1809 he went to Frankfort, executed historical paintings for the Prince Primate von Dalberg, and illus- trations to Faust, which were highly praised by Goethe. At Rome (1811-1819), he stood between the pre-Raphaelites led by Over- beck and the classic Germans under Car- stens. His compositions from the Niebelun- gen Lied were so successful that he gladly accepted the invitation of the Consul-Gen - eral Bartholdy to decorate the Casa Zuccaro with frescos from the history of Joseph, conjointly with Overbeck, Schadow, and Veit. In 1819 King Louis I. of Bavaria called him to Munich, and as he was at the
