DKI.AIIAVK class, 1876. Works: Dnnte and Virgil (1875), Cambrai Museum ; Rebellious An- gels (1876), bought by State ; Prometheus (1877) ; Christ in the Tomb (1878) ; The Lit- tle Giggler (1879); The Angelus (1880); Or- pheus torn by the Bacchantes (1881); Death of a Hog, Autumn Night (1883); The Laun- dress (1884). DELAHAYE, ERNEST JEAN, born in France ; contemporary. Genre and portrait painter, pupil of Gurome. Medals : 3d class, 1882 ; 2d class, 1884. Works : Lav- atory(1881); Shoeing, Farriery (1882); Jew- ish Easter (1883) ; Gas- Works at Courcelles (1884); Farriery, Portrait of Henri Maret (1885). DELANCE, PAUL LOUIS, born in Paris ; contemporary. Genre and portrait painter, pupil of Gerome. Medal, 3d class, 1881. Works: Faith, Hope, and Charity (1878); The three Ages (1879); Louis XVI. and Parmentier (1880); Return of the Flag (1881); Revery (1882); Depart- ure (1883); Upon the Stockade, Portrait (1884) ; Nurses' Bench at Orphanage of St. Valery (1885). DELANOY, HIPPOLYTE PIERRE, born in Glasgow, Scotland, of French pa- rents ; contemporary. Genre painter, pu- pil of Jobbe-Duval, F. Barrias, Bonuat, and Vollon. Medal, 3d class, 1879. Works: Pride and Impudence, Gilliflowers and Thoughts (1877); Booty, Breakfast on the the Turf (1878); At Don Quixote's, The Koran (1879); Preparation for Breakfast, Peaches and Flowers (1880) ; Breakfast (1881) ; A Corner in Willem Kalf's Studio, The Gospel (1882); To the Glory of a Gen- eral of the Past or the Future, India and the East (1883) ; Luncheon in the Park, Things of the Past (1884); With Jacques d'Anville, In Time of Chivalry (1885). DELAROCHE, PAUL (Hippolyte), born in Paris, July 17, 1797, died there, Nov. 4, 1856. History and portrait painter. Be- gan by painting landscapes under Watelet, which he gave up for history after entering the studio of Baron Gros. First attracted attention by his picture of Joash Raved from death by Jehosheba (1822). Received the great gold medal in 1824, became J Knight of the Legion of Hon- ! our in 1828, Offi- cer in 1834, Mem- ber of the Insti- tute in 1832, and Professor at the Academy in 1833. In the following year lie went to Italy, and on his return showed the ideal- izing effect upon his style of his study of the old masters in the famous Hemicycle which he painted at the Ecole des Beaux Arts. At the time of his second visit to Italy in 1844 he was made a member of the Academy of St. Luke, as he had previously been of the academies of Amsterdam and St. Peters- burg. Works: Naphtali in the Desert (1819); Joash saved from death by Jehosh- eba (1822), Death of Queen Elizabeth (1827), Children of Edward IV., or l*rinccs in the Tower (1830), Louvre, Paris ; Filippo Lippi (1822); St. Vincent de-Paul preaching be- fore Louis Xm. (1823); Joan of Arc in Pris- on, St Sebastian (1824); Children caught in Storm (1825) ; Death of Agostino Carracci (1826); Massacre of St. Bartholomew (1826), Konigsberg Museum ; Flora Mocdonald ! (1826); Death of Durauti (1827), painted for Conseil d'Etat ; Capture of the Trocadero (1827); Richelieu on the Rhone (1829), Death of Mazarin (1830), Sir R. Wallace, London ; Cromivell beside Coffin of Charles I. (1831), Nimes Museum ; Execution of Lady Jane Grey (1834), H W. Eaton, M.P.; Gal- j ileo (1834); Assassination of Due de Gttiw (1835), Due d'Aumale, Chantilly ; Strn/ord going to Execution (1835), Duke of Suther- land ; Charing I. insulted by Cromwell's Soldiers (1836), Bridgewater Gallery ; Na- poleon in his Study (1837), Countess of Sandwich ; Portrait of Peter the Great (1838) ; Hemicycle (1838-41), Ecole des 3S7
