L1NDLAR in Rome (1886). AHgem. K. Ch., ix. GOO ; x. 384 ; Dioskuren, 1870, 2G5 ; Mailer, 338 ; Reber, iii. 247 ; Reguet, ii. 22 ; Kuust- Chronik, xii. 97 ; xvi. 435 ; xvii. 9, 490, 613 ; xix. 125 ; Kunst f. Alle, i. 156 ; Zeitschr. f. b. K, ii. 97 ; vi. 145 ; x. (Mittheilungen, iii. 70). LINDLAR, WILHELM, born at Bergisch- Gladbach, Rhenish Prussia, in 1816. Land- scape painter, pupil of Diissclclorf Academy under Schinner. Member of Amsterdam Academy. Works : The Jungfrau seen from the Wengerua Alp (1848) ; Mill near Mei- ringeu (1852); Lago Maggiore (1856) ; Vier- waldstiitter Lake (1857), Fodor Museum, Amsterdam ; Mountainous View with Water- fall, Wiesbaden Gallery ; View of Monte Rosa (1858) ; Primeval Forest in Kieu Val- ley, Waterfall in Val Anzasca. Miiller, 339 ; Wiegmann, D. Kunstakad. r /.n Diisseldorf. LINDSAY, Sir COUTTS, Bart., born in England ; contemporary. Genre painter ; founder (1877) and proprietor of the Gros- venor Gallery, London. Works: Dower House at Balcarres, Sheep returning from Pasture, Daphne (1877) ; An Idyl, Golden Fetters, Shepherd's Farewell (1878) ; Ari- adne, Knight and his Daughter (1879) ; Portrait Study, Evening, Venetian Senator (1880) ; Boat of Charon (1881) ; The Fates (1882) ; Venice Fisherman, Japanese Girl (1883) ; In Maiden Meditation (1884). His wife, Lady Lindsay, of Balcarres, paints flowers and still-life, and is a frequent ex- hibitor at the Grosvenor Gallery. LTNGELBACH, JOHANNES, born in Frankfort-on- the-Main in Oct., 1622, died in Amsterdam in Nov., 1674. Dutch school ; painted Italian seaports, land- , scapes, hunts, and fairs. Went to Amsterdam in 1637, was in Paris in 1642, then returned to Frankfort, and in 1644 went to Rome, where he remained till 1G52, when he re- turned through Germany to Amsterdam. His style was influenced by Wynants, to whose pictures he often supplied figures and animals, and by Wouvermans, whom he suc- cessfully imitated. The cool, delicate, sil- very tone of his pictures sometimes degen- erates into coldness and want of harmony. His composition is skilful, the drawing good, the execution careful. Works : Hay Harvest, National Gallery, London ; Vegeta- ble Market (1670), Seaport, and two others, Louvre ; Dentist on Horseback (1651), Two Italian Harbours (one dated 1664), Riding- School, Camping, Thoroughfare (Landscape by Wynants), Hunting, Return from the Chase, Amsterdam Museum ; Building of New Town Hall, City Hall, Amsterdam ; Charlatan on Piazza del Popolo in Rome (1658), Brussels Museum ; Port in the Le- vant (1670), Hay-Making, March of Prince William II. on Amsterdam in 1650, Depart- ure of Charles II. from Seheveningeii 1(560, Hague Museum ; Country People by a Spring, Rotterdam Museum ; Wanderers resting at the Foot of a Hill, Aschaffenburg Gallery ; Naval Battle between Christians and Turks, Brunswick Museum ; Public Square in Italian Town (1669), Carlsruhe Gallery ; Turkish Galley engaged in a Sea- Fight, Copenhagen Gallery ; Landscape by the Sen, Christiana Gallery ; Vessels in Port with many Figures, Dresden Museum ; Por- trait of himself, and others, Stiidel Gallery, Frankfort ; Hunting Party, Kuusthalle, Hamburg ; Harbour of Leghorn, Ferdinan- deum, Innsbruck ; Muleteers by the Sea- shore, KOnigsberg Museum ; Hay Making, Old Pinakothek, Munich ; Hunting Party Resting, Germanic Museum, Nuremberg ; Hay Harvest (2), Rest in the Campagnn, Italian Seaport (2), Queen Christina of Swe- den, King Charles X. of Sweden, Schwerin Gallery ; Merchants in Italian Harbour, Market Square of Italian Town (1666), Gui- tar Player and Listeners, Italian Harbour with Figures, Assembly on Horseback, Hunt- ing Party, Hermitage, St. Petersburg ; Peas-
