PANTOJA fective. Among his works are : Interior of St. Peter's, Piazza Navona at Rome, Antique Ruins (2), Louvre; Interior of St. Peter's, and four others, Turin Gallery ; Ancient Ruins with Figures, National Gallery, Lon- don ; Interior of St. Peter's, Interior of Ba- silica of St. Paul, National Gallery, Edin- burgh ; various ancient Roman buildings, Windsor Castle ; Cardinal Polignac visiting Interior of St. Peter's, New York Museum ; others in Museums of Berlin (1735), Brus- -*^ sels, Dresden (2), Gotha (2, W Y^ . one dated 1754), Madrid (6), ' Ukll II and Na l )les ( 2 ) ; Galleries of Vy "l|N|Cassel, Frankfort (2), Ham- L) * burg, Schleissheim (4), Wies- OtVi baden ; Hermitage, St. Pe- tersburg (2) ; Czcrnin (2), Harrach (2, 1751), and Liech- tenstein (2) Galleries, Vien- na ; Uffizi, Florence ; Historical Society, New York ; Pennsylvania Academy, Phila- delphia (2). L'Art (1880), ii. 97, 121 ; Ch. Blanc, Ecole ombrieune ; Siret (1883), 127 ; Mi-moires im'dits, ii. 371. PANTOJA DE LA CRUZ, JUAN, born in Madrid in 1551, died there after 1G09. Spanish school ; pupil of Sanchez Coello, and his equal as a portrait painter. He succeeded his master as court-painter to Philip II., and held the same rank at the court of Philip III. While his style resem- bles that of Coello, it is more remarkable for care and finish than for force and free- dom ; his drawing is good, and his colour- ing rich and pleasing. Ho painted both re- ligious and historical compositions. Works: Portraits of Infanta Dona Maria, Queen Isabel do Valois (2), Queen Margaret of Austria, Emperor Charles V. (2), Infanta Dona Juana, Philip II., Birth of the Virgin, Nativity, Madrid Museum ; Portraits of Archduke Albrecht of Austria (1600), and his Wife Infanta Isabella (1599), Old Pina- kothek, Munich ; Portrait of a Child, do. (1604), Vienna Museum. Stirling, i. 266 ; Ch. Blanc, Ecole espagnole ; Viardot, 250 ; Madrazo ; La Ilustracion (1882), ii. 283. PAOLINO, FRA, born in Pistoja about 1490, died there in 1547. Florentine school; pupil of his father, Bernardino del Siguo- racchio, a feeble artist ; took orders in S. Domenico of Prato, and became assistant to Fra Bartolornmeo and Mariotto, to whom he was probably chiefly indebted for instruc- tion, in their workshop at S. Marco. His most successful work is a Madonna with Saints (1510), Vienna Museum. By him are also a Nativity (1511), Palazzo Borghese, and a Madonna and Baptist, Palazzo Sci- arra Colonna, Rome ; a Madonna with Saints (1511), Palazzo Corsini, Florence ; and a Crucifixion, fresco (15 1C), in S. Spi- rito, Siena. C. & C., Italy, iii. 478 ; Ltibke, Gesch. ital. Mai., ii. 170. PAOLO AND FRANCESCA, Alexandre Caband, Luxembourg Museum, Paris ; can- vas, H. 5 ft. 10 in. x 8 ft. 4 in. The death of Paolo Malatesta and Francesco, da Rimini. She is stretched upon the bench, where they have been reading the story of Lance- lot and Guinevere, her head sustained upon his shoulder ; in the background, her de- formed husband Gianciotto or Lanciotto, with bloody sword, savagely contemplates his victims from behind the arras. Salon, 1870. Replica, in small, Mrs. A. E. Kidd, New York. Larousse, xiii. 1218. PAOLO AND FRANCESCA. See also Francesco da Rimini. PAOLO FIAMMINGO. See Franceschi. PAOLO VERONESE. See Veronese, Paolo. PAPE, EDUARD, born in Berlin, Feb. 28, 1817. Landscape painter, pupil of Berlin Academy in 1834-39 ; studied first decorative painting under Gorst, painted in 1849-53 the frescos in the Roman hall of the New Museum, travelled in Bavaria, Switzerland, and North Italy. Member of, and professor at, Berlin Academy. Gold medals, Berlin. Works : Grin del wald Gla- cier ; Lake Vierwaldstiidt ; Lake of Geneva ; Rosenlaui Glacier ; Woodland on Seelis- berg ; Mill in Jura Mountains ; Chiem Lake ; View of Intra on Lago Maggiore ; Glacier 390
