PIIILISCUS Versailles Museum ; Death of Tureune (1838), Marseilles Museum ; Louis XV. vis- iting Battle-Field of Fontenoy (1840), for- merly in Luxembourg ; Battle of Mount Tabor, Battle of Rivoli (1845), Versailles Muse u m ; Entrance to Pass of Mouza'ia, Defence of Mazagran (1842); At- tack on Mededeah (1843) ; People of Se- dan returning after Battle of Douzy, Battle of Oued-Jer (1844) ; Battle of Rivoli (1845) ; Due d'Orlcans releasing Prisoners, Alge- rian Women, Street in Algiers (1840), Colo- nel Gourgaud saving Napoleon's Life (1848); Incident of Campaign in France, Halt of Light Cavalry, Crown of Periwinkles (1849); Last Banquet of the Giromlins (1850), Mar- seilles Museum ; General Bonaparte, De- ception, Returning from Tavern (1853) ; In- cident of Defeat of Cimbri (1855); Charge of African Cavalry at Balaklava (1859), Ver- sailles Museum ; General Forey applauded by Troops after Battle of Moutebello, Em- peror Napoleon embracing General Forey in the Station at Voghera, Nuns in a Chapel (1861) ; Battle of Montebello (1863), Ver- sailles Museum ; Battle of Diernstein (1863); Siege of Puebla, General Forey entering Mexico in Triumph June 10, 18G3 (18G5) ; Return of Sainte-Anne-la-Palude's Pardon (18G6) ; Arrival of Remains of Napoleon I. at Courbevoie (1867) ; Capture of Great Redoubt at Moskowa, St. Si'verin's Sunday (1870) ; Bombardment of Paris (1873) ; Por- trait of Napoleon as Lieutenant, Portraits of Generals Dampierre and Reyuier, Versailles Museum ; Panorama of the Defence of Paris (on the Champs Elyst'es, Paris) ; De- fence of Clmteaudun (1879) ; " They are Here " (1880) ; The Discovery, Wm. Astor, New York. Bellier, ii. 263 ; Larousse. PHILISCUS, painter, date unknown ; mentioned by Pliny (xxxv. 40 [141]) in con- nection with his picture of a Painter's Studio, with a boy blowing the fire Sillio- 350. PHILLIP, JOHN, born in Aberdeen, April 17, 1817, died at Kensington, Feb. 27, 18G7. His- tory and portrait painter, pupil in London of T. M. Joy in 183G, and of Royal Academy in 1 183 7; exhibited portraits in 1838- 39, and Tusso in Disguise in 1840. During the next ten years he painted many clever Scotch sub- jects, among the best of which were Bap- tism in Scotland (1850) and Scotch Wash- ing (1851). Visited Spain in 1852 and 1856, after which his style changed and his art and subjects became Spanish. Elected an A.R.A. in 1857, and R.A. in 1859 ; went to Spain again in 18(50, and to Rome in 18GG. Phillip was one of the best, colourists of the British school. Works : Visit to the Gyp- sy Quarter (1853), Letter Writer of Seville (1854), belonging to the Queen ; Death of the Contrabandista (1858) ; Marriage of the Princess Royal (I860) ; Dolores (1802) ; Agua Beudita (18G3) ; La Gloria (18G4) ; Early Career of Murillo (1805); Chat around the Brasiers (18GG) ; Antonio (1867). Red- grave ; Wilmot-Buxtou, 161 ; -Art Journal (1867), 127, 153 ; Sandby, ii. 306. PHILLIPS, THOMAS, born at Dudley, Warwickshire, Oct. 18, 1770, died in Lon- don, April 20, 1845. Studied with Francis Eginton, glass painter, Birmingham ; went to London in 1790, and was employed by Benjamin West on the window of St. George's Chapel, Windsor. Became an ex- hibitor in 1792 at the Royal Academy ; A.R.A. in 1804, and R.A. in 1808. In 1825 lie succeeded Fuseli as professor of paint- ing, and after his resignation, in 1832, pub- lished his lectures on the "History and Prin- ciples of Painting" (London, 1833). Ho executed some historical .subjects, but was
