LAST JUDGMENT 1762 under Clement XIII, by second-rate Pietro Woeiriot (1570). Vasari, ed. Mil., painters under direction of Gio. Battista vii. 204 ; Divppa, Dissertation on L. J. (Lon- Pozzi Copy by M. Venusti in Naples Mu- don, 1801) ; Metz, Giudizio universale scum'- by H. Levoyer (1570), formerly in (Kome, 1808-16) ; Lenoir, Observations sur collection of Marquis do Las Marismas ; by j le Genie de M. A. (Paris, 1820) ; Guillemot, Si"-alon (183(5), Ecole des Beaux Arts, Paris. Jugement dernier (Paris, 1829) ; Eevue des Engraved by Fr. Bartolozzi, in outline ; do. ! Deux Mondes (1837), 337 ; Blackwood's in small fo/Duppa's Life of Michelangelo ; Mag. (1839), xlv. 257 ; Journal Speculative Ch. Albert i, Studies of Figures and Groups; Philosophy (18G9), iii. 73 ; Black, Michael Nic Beatrizet in 11 plates (1562), retouched. I Angelo (London, 1875), 202; Gaz. des B. Arts (1876), xiii. 168, 175, 284 ; Grimm (Buu- nett), Life, ii. 210 ; La- rousse ; Gotti, Vita, i. 265 ; Reveil, xi. 787. By Andrea Orcagna, Campo Santo, Pisa; fresco. Above, to left, Christ, enthroned in an almond-shaped glory, with one hand raised, the other pointing to the wound in his side ; at his right, the Virgin, in a similar glory, looks down with pity on the condemned; above them, six angels bear the sym- bols of the Passion ; be- low them, the apostles seated in a row in the clouds, six on each side ; immediately beneath the Saviour and the Virgin are four heavenly mes- sengers ; further down, on the Saviour's right, the army of the blessed is grouped be- hind St. John Baptist; on the other side, angels drive the condemned towards hell, which occupies the whole right side of the picture, showing the damned undergoing torture in four stories, one above another, with Satan presiding in the middle. Re- stored in 1379 by Cecco di Pietro, who probably painted the second circle and ten Last Judgment, Michelangelo, Sistine Chapel, Vatican, Rome. and reprinted by Thomassin in 1620; Giulio Bonasoue ; Amb. Brambilla ; Mario Cartari (1569) ; Niccolo della Casa ; Gio. Battista Cavalieri (1567) ; Dom. Cunego (1780) ; Cl. Duchetti ; Heb. Fulearo ; Giorgio Ghisi; Matteo Greuter ; Ignoto (1556); Michele Lucchesi ; Corrado Metz (1808) ; Giov. Mit- terpok for Pistolesi's Vaticano illustrate, viii. PI. 86; Niccoletto da Modena ; C. Normand (1803) ; Martino Rota (1569, 1573, and figures by Lucifer's side. C. & C. attribute 1576) ; Jacopo Viuio ; Niccol' della Volpe ; this fresco, as well as the Triumph of Death,
